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首先BTS

BTS’ Vocal Analysis: V
Vocal Range
Eb2 ~ D6 (3 octaves, 5 notes and 1 semitone)
Supported Range
C3 ~ C4/C#4
Voice Type
Baritone

Strengths/Achievements
Strongest vocalist in BTS
The strongest sense of breath support amongst all members of BTS
Able to remain most relaxed within his comfort range
Able to transition into his falsetto with relative ease
Mixed voice is light and lacks pushing, not trying to sing too high with too much throat tension
Able to remain relatively relaxed up to C#4 and at times even D4
Sense of pitch has improved since debut
Sufficient support is maintained down to C3 in his chest voice

优势/成就
BTS中唱歌最有力的歌手
BTS所有成员之间最强烈的呼吸支持
能够保持在他的舒适范围内最放松
能够相对容易地转换成他的假音
混合的声音很轻，缺乏推动力，不要唱太高的喉咙紧张
能够保持相对宽松的C＃4，有时甚至D4
音准自登场以来有所提升
他的胸部声音充足的支持维持在C3

Weaknesses
Tends to sing with too much airiness
Support is shallow and underdeveloped
Tends to lower his larynx too often when singing
Above C#4, he tends to sound harsh and flat
Tone production often becomes flat due to lack of forward placement
Lower range is relatively underdeveloped for a baritone
Unable to support his head voice
Falsetto is often too airy and lacks projection

弱点
倾向于唱太多的空气
支持是浅薄和不发达的
唱歌时往往会经常降低喉头
在C＃4以上，他倾向于听起来苛刻和平坦
由于缺乏前置放音，音调产量通常会变得平缓
男中音低音部分相对欠发达
无法支持他的头部声音
Falsetto通常太通风，缺乏投影

Registers
Lower register: Due to the range in which BTS’ music is written in, he gets very few chances to showcase the true development of his lower range. Thus, his voice is relatively underdeveloped in his lower range for a baritone, where his tone production becomes muffled as he sings below C3.
Mixed register: His mixed voice is relatively light in terms of mixing, where he uses more head voice than chest voice when singing higher to minimize the amount of effort and strain on his vocal cords. Although able to sing above his first passaggio, his support is somewhat shallow and he tends to become tense above C#4.
Upper register: Able to transition into his falsetto with relatively ease, his overall tone production is airy throughout most of his voice but becomes fairly obvious as he sings in his falsetto. Able to produce a connected head voice even though support isn’t present.

音域
低音域：由于BTS音乐的音域范围，他很少有机会展示他低音域的真实发展。 因此，他的低音范围对于男中音来说是比较不发达的，他在低于C3的时候，他的音调变得模糊不清。
中音域：混音时混音比较轻，高音时用比胸声多的头声，以减少声带上的劳累和紧张。 虽然能够在第一个passaggio之上唱歌，但是他的支持有点浅，他往往会比C＃4更加紧张。
高音域：能够相对容易地转换成他的假声，他的整个音色生成在他的大部分声音中都是通风的，但是当他唱假名时变得相当明显。 即使支持不存在，也能够产生连接的头部声音。

Agility
Drawing less influences from R&B than many other idol vocalists in K-pop, V generally sings with an airy approach throughout his range and doesn’t often attempt singing vocal runs. The airiness in his voice makes it harder for him to be able to connect his vocal cords properly and control his pitch. This results in often sloppy runs when he does attempt them, in rare occasions. Perhaps aware that his voice isn’t necessarily very agile, as he lacks the correct muscle coordination to sing and bounce through different notes quickly, it is hard to find examples of V attempting vocal runs. The few times he’s done so, it’s possible to hear that he lacks clarity in tone and often sings runs by sliding through the notes quickly, without hitting each individual pitch precisely at the center of the note. This causes his runs to sound sloppy and pitchy overall, as heard in “Sorry“, “Little Star“, and “듣는편지.”

敏捷性
与其他许多偶像歌手相比，V在R＆B中的影响要小得多，V在整个范围内都会以轻快的方式演唱，而且通常不会尝试演唱人声。 他声音中的空气使他很难正确地连接他的声带并控制他的声调。 当他试图在罕见的情况下进行尝试时，结果往往是sl runs不驯的。 也许意识到他的声音不一定非常敏捷，因为他缺乏正确的肌肉协调来快速地唱歌和弹跳不同的音符，所以很难找到V尝试人声的例子。 有几次他这样做，有可能听到他缺乏语调的清晰度，并且经常通过快速滑动音符来运行歌曲，而没有将每个单独的音高精确地敲击音符的中心。 这导致他的跑步听起来sl and不驯，如“对不起”，“小星星”和“듣는편지”中所听到的。

Overall analysis
V debuted as a member of the vocal line of BTS in 2013. Although not the main vocalist, the distribution of lines was even enough that he sang relatively often regardless of him being a lead vocalist or not. In most cases, idol groups favor vocalists with higher voices because most idol songs are written within quite high ranges, for males and females. Thus it is more common to see a main or lead vocalist of a group be a tenor or a soprano. In BTS’ case, V’s voice stands out because he is the only baritone singing with other three tenors in the group, although every rapper in BTS is also a baritone. His voice is thick in tone and slightly lower range, but still remaining relatively light in weight and sounding more like a lyric baritone than anything else. Although mostly written for a lower tenor range, BTS’ music is written within a relatively low enough range where V is able to sing alongside the tenors without too much stress on his vocal cords.
Considering most tenor songs generally are written above C3, V as a baritone gets very few chances to actually sing in a more baritone-like range most of the time. Thus his lower range below C3 is mostly underdeveloped and not very well explored, as he doesn’t sing that low very often. Down to C3, he has shown a clear enough consistency of tone production and projection, where both his vocal cords and his support work together to allow his chest voice to project with decent tonality. This can be heard in “안아줘“, “Oh Happy Day!” and “Someone Like You.” Below C3, however, he starts to lose connection and support, as his voice starts to become more muffled and breathier. This seems to be because his vocal cords aren’t developed enough as he sings lower, so his tone becomes less clear as he’s unable to project and place his voice in his chest as easily as above C3. This can be heard in with the Bb2’s in “If You“, A2’s in “안아줘“, G2’s in “Let Me Know” and the octave unison E2’s in “Someone Like You.”
His mixed voice is relatively well developed in terms of mixing and has enough support for him to be able to sing above his first passaggio, B3, without tensing up his throat too much. The range from C4 to D4 can be sung with some support as he’s able to remain relaxed and not sing only from his throat. This can be heard in “바람인가요“, “듣는편지” and “안아줘.” As he ascends above D4, he tends to use a very light mixed voice which is mostly head dominant, which allows him to push his voice with less tension than if he were to use a heavier and louder chest-dominant mixed voice. Nonetheless, the lack of support above D4 causes him to sound shallow and thin the higher he sings, as his voice becomes too light and oftentimes he can sound somewhat flat when singing above his comfort range. He tends to sing with a soft approach, but tension is still present in his throat as he’s unable to connect his breath support to his vocal cords in order to maintain his throat opened. This can be heard in the D4’s in “Something“, Eb4’s in “눈, 코, 입“, E4’s in “If I Ain’t Got You“, “Someone Like You“, F4’s in “I NEED U“, “If You“, “Butterfly“, F#4’s in “Let Me Know“, “Love is not Over“, G4’s in “Bang Bang Bang“, “안아줘” “눈, 코, 입“, “이사” and G#4’s in “잡아줘.”
His upper register mostly consists of a falsetto, with occasional moments where he’s shown the ability to use a head voice. Most of the time his vocal cords aren’t fully connected and he sings with excessive airiness, which causes him to sound thin and soft in his upper register, mostly associated with a falsetto voice. Although relaxed to an extent, a falsetto is not a register where true support can be present. Support would only be truly present if he were to use his head voice properly, however the few times V has shown a head voice have shown that he has issues with maintaining the connection of breath support with his vocal cords, where he instead pushes too much air against his vocal cords instead of allowing them to produce his head voice with their own strength and development. This results in a head voice that lacks control, by not being relaxed nor supported. This can be heard when contrasting his falsetto in “듣는편지“, “House of Cards“, “눈, 코, 입“, “Butterfly” and “Miss Right” with his head voice in “How Am I Supposed to Live Without You.” Interestingly enough he is the only member of the vocal line to be able to push his head voice all the way up to the sixth octave, higher than any of the tenors. This can be heard with the C6 in a high note battle during a fan meeting as well as the D6 in a more recent fanmeeting.
One of V’s main issues actually come from his tendency to push his larynx down when singing and not fully maintaining his vocal cords connected throughout his range. When your vocal cords aren’t fully connected, a lot of air can pass through causing the vocalist to sound breathy and soft. Stylistically this can work in many cases, but training yourself to only be able to sing that way can cause the vocalist to limit their vocal development. If the vocal cords don’t fully come together when singing, the vocalist will be unable to allow their vocal cords to become stronger and develop in terms of volume, range and muscle strength.
Adding onto this, V usually favors lowering his larynx and opening the back of his throat a lot more than necessary when singing even within a relatively high range. Most of the time, V’s voice can be perceived as quite deep but actually when a vocalist pushes their larynx down, it alters the natural tone of their voice and causes their voice to sound much deeper than it really is. This is often a stylistic approach used in soul music, that can be turned on and off at will. However for V it’s either this approach, airy and overly opened in the back of throat while not fully relaxed, or aharsh growly approach. Only having two options can be limiting to a vocalist if they’re unable to grasp breath support fully yet. Since V tends to push the sound of his voice in the back of his throat a lot, the direction of air from his voice isn’t properly placed in his nasal cavities, which makes it harder for him to understand mask placement and project his voice. As such, he tends to sound slightly flat in tone production the higher he sings due to lacking a good connection of proper breath support, an open throat and a forward mask placed sound.
When comparing V to the other vocalists of BTS, it is possible to hear that both he and Jungkook are the most relaxed out of all four of them. They have the least issues with tension and have a relatively decent range in which their voices are more or less supported, even though support may be shallow. However things can get tricky when comparing a tenor to a baritone, as being a baritone and having to sing in the same exact range as a tenor puts V at a clear disadvantage. Truthfully BTS’ music isn’t written for a high tenor range but it is still a challenging range for a baritone to be singing in. The passaggio is where the voice naturally lifts and the muscle coordination becomes slightly different, as sort of a bridge between a register and the next. The first passaggio is the transition from chest voice to mixed voice, while the second one is from mixed voice to head voice. A lyric tenor’s passaggi are usually around D4/Eb4 and G4/Ab4, while a lyric baritone’s passaggi are B3 and E4.
If V were to sing the same song as Jungkook for an example, but the key was changed to suit his voice as a baritone, he’d be able to handle singing above his first passaggio slightly better than Jungkook would. So the only true difference between them is that V has a slightly better grasp of breath support. However given the fact that V can’t simply change the key of every BTS song there is to suit his voice, he has to sing in the same exact range as the other three tenors. So naturally within the range that these songs are written in, Jungkook is the most qualified member to handle singing their repertoire. If V were to look into more solo singing opportunities, understanding his own voice type and embracing the true tone of his voice could help him develop his voice better as a baritone if he could sing in a range that’s natural to his voice. For future improvements, working on further developing connection between his vocal cords to be able to handle more dynamic changes, while developing his breath support could help V develop his vocal technique better overall. However for the time being, his current skill level is adequate for the type of music he sings.

Overall analysis
V debuted as a member of the vocal line of BTS in 2013. Although not the main vocalist, the distribution of lines was even enough that he sang relatively often regardless of him being a lead vocalist or not. In most cases, idol groups favor vocalists with higher voices because most idol songs are written within quite high ranges, for males and females. Thus it is more common to see a main or lead vocalist of a group be a tenor or a soprano. In BTS’ case, V’s voice stands out because he is the only baritone singing with other three tenors in the group, although every rapper in BTS is also a baritone. His voice is thick in tone and slightly lower range, but still remaining relatively light in weight and sounding more like a lyric baritone than anything else. Although mostly written for a lower tenor range, BTS’ music is written within a relatively low enough range where V is able to sing alongside the tenors without too much stress on his vocal cords.
Considering most tenor songs generally are written above C3, V as a baritone gets very few chances to actually sing in a more baritone-like range most of the time. Thus his lower range below C3 is mostly underdeveloped and not very well explored, as he doesn’t sing that low very often. Down to C3, he has shown a clear enough consistency of tone production and projection, where both his vocal cords and his support work together to allow his chest voice to project with decent tonality. This can be heard in “안아줘“, “Oh Happy Day!” and “Someone Like You.” Below C3, however, he starts to lose connection and support, as his voice starts to become more muffled and breathier. This seems to be because his vocal cords aren’t developed enough as he sings lower, so his tone becomes less clear as he’s unable to project and place his voice in his chest as easily as above C3. This can be heard in with the Bb2’s in “If You“, A2’s in “안아줘“, G2’s in “Let Me Know” and the octave unison E2’s in “Someone Like You.”

总体分析
V在2013年作为BTS的声乐成员出道。尽管不是主要的歌手，但是他的唱片分配甚至足以让他唱歌，不管他是否是主唱。在大多数情况下，偶像团体喜欢声音较高的歌手，因为大多数偶像歌曲都写在相当高的范围内，男性和女性。因此，看到一个组的主要或主要歌手是男高音或女高音更常见。在BTS的情况下，V的声音很突出，因为他是唯一与中三个男高音唱歌的男中音，虽然BTS中的每个说唱歌手都是男中音。他的声音比较厚实，音域稍低，但重量仍然比较轻，听起来更像一首抒情男中音。虽然大部分都是为了低音范围而写的，但是BTS的音乐写在一个相对较低的范围内，V可以和高音一起唱歌而不会对声带造成太大的压力。
考虑到大多数男高音歌曲一般都写在C3以上，V作为男中音在大多数时间几乎没有机会在更加男中音的范围内唱歌。因此，他C3以下的低频部分大部分是欠发达的，而且没有很好的探索，因为他不经常唱这么低的声音。在C3之前，他已经表现出了清晰的音调生成和投影的一致性，他的声带和他的支持一起工作，让他的胸部声音以良好的音调突出。这可以在“안아줘”，“哦，快乐的日子”和“像你这样的人”中听到，然而在C3以下，他开始失去联系和支持，因为他的声音开始变得更闷闷气。这似乎是因为他的声带不够发达，所以他的声音变得不那么清晰，因为他不能像上面的C3那样容易地把声音放在胸前。可以听到Bb2的“If You”，A2的“안아줘”，G2的“Let Me Know”以及八度音的E2的“Someone Like You”。